Harm van den Dorpel's Anicca (2025) is series of eventually 8 two-phase animations, inspired by Buddhist sand drawings: an exercise in patience and reflection on impermanence and a reflection on the impermanence of digital generative art in general.

The Pali word for impermanence, anicca, is a compound word consisting of "a" meaning non-, and "nicca" meaning "constant, continuous, permanent". While 'nicca' is the concept of continuity and permanence, 'anicca' refers to its exact opposite; the absence of permanence and continuity.

More information and inquries here.